Friday 16 December 2016

Kenyan Hiphop History pt 6: Current State and the Future


With many artistes going commercial in their music, another breed decided to remain 'underground' and stay true to the hiphop game. The emergence of this lot was propelled in 2006 by the famous WaPi (Words and Pictures) monthly event that was being organized by Budhaa Blaze courtesy of the British Council and later Sarakasi Trust. The stage was set for hiphop artistes to re-invent themselves after a lull of several years caused by the shunning of their art by major radio stations, for the more crowd appealing popular rap music.


WaPi presented a platform where these artistes could showcase their talents through freestyle battles and cyphers. Some of the artistes who can credit WaPi as their stepping stone in this industry include Moroko, Khaligraph Jones, Octopizzo, Big Mic, Point Blank, Muthoni Drummer Queen, Gadi Moja, Monaja, Rabbit, Xtatic, Kayvo Kforce among many others.


It also gave a stage for dancers, graffiti artistes and spoken word poets to hone their skills. In late 2012, a year after WaPi had ended, Hiphop Hook up was launched by Nafsi Huru and Smallz Lethal to continue giving stage to the upcoming emcees.
Through years of struggle and hardwork, we can now see the fruits of their efforts as some hiphop artistes have made a breakthrough in the industry. Several other artistes are also emerging and have shown the potential to take Kenyan hiphop to another level. Octopizzo, Khaligraph Jones, Rabbit, Juliani, Abbas and several others are now household names in the entertainment industry.
With the availability of social media and penetration of internet usage, artistes are now able to easily reach out to more of their fans and also interact with them on a more personal level. They are now creating brands out of their talents which enable them earn more from their music. Its no longer just a local thing but they are now placing themselves on an international level.
New acts like Camp Mulla, Raj, Ace tha Don, Oksyde among others have risen in the new era to claim their stake in this industry as well, and from the signs being currently witnessed, Kenyan hiphop is now very much alive and ready to set its mark in the globe. All that is needed is alot more quality, consistence and unity. On our part as fans, lets support our hiphop artistes by buying quality music and attending shows.



RELATED POSTS:
Kenyan Hiphop History pt 1: The Beginnings
Kenyan Hiphop History pt 2: The Foundation
Kenyan Hiphop History pt 3: The Growth
Kenyan Hiphop History pt 4: The Media Role
Kenyan Hiphop History pt 5: The Dilution

Kenyan Hiphop History pt 5: The Dilution


Around 2002/2003, a new wave began to hit Kenya's hiphop scene as more and more artistes emerged. The industry became flooded by artistes who made music that was more commercial and club-oriented just to get airplay and fame. The number of production houses also increased and each developed their own signature style.


Among the popular ones was the Ogopa Deejays stable which had artistes such as E-Sir, Bigpin, Krupt, Kleptomaniacs, Deux Vultures among others. Their style was commonly refered to as 'boomba' or 'kapuka'.




From Carlifornia (Calif) estate, another group emerged with a style that they dubbed as Genge (which meant 'music for the masses'). This was championed by Juacali and Nonini through the Calif Records studio which was run by Clemo.
The two sounds became very popular and were accorded more airplay both on TV and radio. The hiphop artistes began to fall out of favour and as a result most of them fell along the way due to lack of airplay and recognition. A few turned to crime while others ended up doing odd jobs to survive as they could not keep up in the industry.
This era too marked the dawn of beef in Kenyan hiphop. Chiwawa came up with the famous 'War Song' track that dissed various artistes who did kapuka music. Bamboo was also featured and he vented out his frustrations on Samawati studio producers. Others involved were Wodhes, DJ Loop and MC Sharon who took a swipe at the 'fake' female emcees. More beef sessions were to follow later as Bamboo feuded with Prezzo, Chiwawa against Kleptomaniacs, Abbas against Chiwawa and most recently Octopizzo against Khaligraph.



RELATED POSTS:
Kenyan Hiphop History pt 1: The Beginnings
Kenyan Hiphop History pt 2: The Foundation
Kenyan Hiphop History pt 3: The Growth
Kenyan Hiphop History pt 4: The Media Role
Kenyan Hiphop History pt 6: Current State and the Future

Tuesday 13 December 2016

Kenyan Hiphop History pt 4: The Media Role



Most of the hiphop artistes back then had a major challenge of getting airplay on radio. At the begining, 'Mizizi' on KBC TV hosted by Nimmo, was the only TV show that offered them a platform to get noticed. Later on Nation TV (now NTV) had the show 'Warehouse'. On radio, Metro FM was also instrumental in supporting upcoming artistes with shows that invited them to do freestyles and hold cypher sessions. Another notable figure on radio was Muthoni Bwika who had the show 'Party Up' on Nation FM which was a favorite of many due to its huge hiphop playlist.
As more artistes took to music videos, we had 'The Beat' on NTV and 'Baseline' on KTN, creating room for more acts to be showcased.
Afterwards, around early 2000s, the most significant show to play Kenyan hiphop was 'Da Joint' on YFM (now Hot 96) hosted by Mwafreeka and DJ Zack. This helped bring out most of the current crop of hiphop artistes such as Mistaree, Walanguzi, Span One, 7-11 The Crew, Kalahari Jeshi among others. Artistes got airplay, were invited to perform cyphers and also hosted to interviews on this show.
Mwafreeka later moved to Ghetto Radio and started the show 'Nairaw' which basically was a continuation of where he left off with 'Da Joint' on YFM which had changed to Hot 96 and consequently scrapped Mwafreeka's show in a restructuring process.


I believe Mwafreeka has played a big role in elevating Kenyan hiphop to the point it is at the moment. His influence and contribution through his radio shows cannot go unacknowledged. He helped by educating most of his listeners on what was happening in the hiphop industry on the local front and also on the international stage, made critical reviews of what was good and what was poor hiphop music and most importantly he gave upcoming hiphop artistes a chance to show the world what they had to offer fans on his radio shows. On Capital FM we had Eve d'Souza, who was also did a good job to try and put kenyan hiphop on the map.



Worth a mention is Channel O which at that period was airing on some of our local TV stations, and it was a big deal at that time as it presented to us information of what was happening on the international hiphop scene with shows such as 'Nasty' and 'HeadRush' and this was giving inspiration to the upcoming local emcees from the exposure. At the moment the main radio stations that give hiphop some quality airplay include Ghetto Radio, Capital FM, KBC English Service and Homeboyz Radio, though more is still required to quench the Kenya hiphop fans' thirst.



RELATED POSTS:
Kenyan Hiphop History pt 1: The Beginnings
Kenyan Hiphop History pt 2: The Foundation
Kenyan Hiphop History pt 3: The Growth
Kenyan Hiphop History pt 5: The Dilution
Kenyan Hiphop History pt 6: Current State and the Future

Kenyan Hiphop History pt 3: The Growth



With the successes that Kalamashaka had achieved, they ventured into a project to mentor other youth, mainly from Dandora estate and also from Mombasa town, into music and away from crime. This led to the birth of Ukoo Flani Mau Mau, a movement of more than 40 artistes from Nairobi and Mombasa. Some of the products of this group are Juliani, Zakah, MC Kah, Kitusewer, Wakamba Wawili, LNess, G-rongi, Cannibal, Sharama, Richie Rich among others. KShaka and the Ukoo Flani Mau Mau crew had a number of projects including Kilio Cha Haki and Dandora Burning.
Other than Ukoo Flani Mau Mau, several other artistes also came into the limelight right around this time and they included Poxi Presha, Nazizi, Nanoma, Warogi Wawili, Ndarling P, and Gidi Gidi Maji Maji.Nazizi paved the way for female emcees when she started back in the days with the track 'Nataka Kuwa Rapper' and this made her a big inspiration and role model among upcoming female rappers. She later became part Necessary Noize trio (together with Wyre and Bamzigi) churning out hits such as 'Kenyan Boy Kenyan Girl', 'Tension', 'Da Di Da', 'Nataka Toa' and 'Clang Clang'.



Gidi Gidi Maji Maji was also a big sensation, rapping in the luo language. There most recognizable hits were 'Ting Badi Malo' and 'Unbwogable'. Later on they landed a deal where they recorded another big single 'Many Faces' with the Gallo Records of South Africa.



RELATED POSTS:
Kenyan Hiphop History pt 1: The Beginnings
Kenyan Hiphop History pt 2: The Foundation
Kenyan Hiphop History pt 4: The Media Role
Kenyan Hiphop History pt 5: The Dilution
Kenyan Hiphop History pt 6: Current State and the Future

Sunday 11 December 2016

Kenyan Hiphop History pt 2: The Foundation



Commercially, the first recognizable hiphop track was 'Uhiki' by Hardstone (Harrison Ngujiri), though some quarters classify it as reggae. Personnaly i can recall jamming to this track back in the days. It was released in 1997 from the album 'Nuting but de Stone'. The song was produced by Tedd Josiah and was primarily done in the Kikuyu language.This became a springboard that helped bring out  several other artistes who took the industry to another level.
Among those to emerge during this era was Kalamashaka (also known as K-Shaka).



This was a group of three emcees (Kama, Johnny and Oteraw) who hailed from Dandora estate. They emerged at a time during the reign of former President Moi and released tracks which had heavy political undertones. Their first big hit was 'Tafsiri Hii' which addressed social and political issues that the country and the youth were facing. Other recognizable tracks by Kalamashaka at this time include 'Ni Wakati' and 'Fanya Mambo'. With the track 'Fanya Mambo', they went international having done the video for the track in Sweden. This was also the first time a Kenyan hiphop video was airing on Channel O, which i believe was no mean achievement especially at that time.Kalamashaka helped change the direction in which kenyan hiphop was taking by giving confidence to artistes to express themselves openly in regards to social matters and political injustices.
Just around the same time we also had K-South Flava who represented the hood of Kariobangi South. This group comprised of two artistes; Bamboo and Jerry Doobeez (also known as Abbas). The duo came out with a new style whereby they used metaphors in a comical way to express various messages in their tracks. They also took the art of rhyming to another level, moving away from the simple rhymes and embracing complex rhymes in a very intelligent way. Some of their biggest hits that brought them into the limelight included 'Tabia Mbaya', 'Nairobbery' and 'Mr Policeman'.



RELATED POSTS:
Kenyan Hiphop History pt 1: The Beginnings
Kenyan Hiphop History pt 3: The Growth
Kenyan Hiphop History pt 4: The Media Role
Kenyan Hiphop History pt 5: The Dilution
Kenyan Hiphop History pt 6: Current State and the Future

Kenyan Hiphop History pt 1: The Beginnings



Those who are in the hiphop movement call it a way of life, a culture or a way of expressing oneself. It's more than just music as it incorporates several other elements that include MCing, graffiti, bboying, deejaying, knowledge, fashion, beatboxing etc. I have encountered most of these elements here in Kenya. The question for many would be 'what is the history of hiphop in Kenya?' In this sequel of articles, i will shed some light on this question by providing answers in different perspectives.
In terms of Kenyan hiphop music, we developed our own unique style from the early 90s where a mix of Swahili, English, Sheng and also other local dialects are incorporated into our compositions. Hiphop originated from the US and as such it has also influenced Kenyan hiphop through various ways including dressing styles and the way of rapping. This has been enhanced due to the improved media coverage, internet availability and channels like Youtube which have made access to information from any part of the world to be much simpler.


Due to my interest in knowing how hiphop began to take root in Kenya, i did some digging for answers and i was actually surprised to find Jimmi Gathu's name featuring there. Apparently, around 1991, he had a rap track titled 'Look, Think , Stay Alive' which was meant to pass a message about road safety or something like that. The video is available on Youtube and upon watching it, i must say they did well as per the trends at that time. Back then the other acts that would give Jimmi Gathu competition included the likes of Zanaziki, Five Alive and Musically Speaking.


RELATED POSTS:
Kenyan Hiphop History pt 2: The Foundation
Kenyan Hiphop History pt 3: The Growth
Kenyan Hiphop History pt 4: The Media Role
Kenyan Hiphop History pt 5: The Dilution
Kenyan Hiphop History pt 6: Current State and the Future

Wednesday 16 November 2016

Monaja - Temaimba Mixtape


Monaja's 'Temaimba' mixtape is his latest project which dropped early this year and this comes after being out of the limelight for a little while. Word has it that he was doing a lecturing job for the time he was away and the same has been expressed on some of his lines. On this mixtape he has incorporated the services of DJ Karizma on the scratches and effects that give the whole project a smooth flow.

1. Nairobi Mpaka Eldama (3:31)
On this track Monaja features Mesh Mfalme and Rapper Phil. On the vocals we have Mesh Mfalme who does a good job to complement the rhymes and wordplay of Monaja and Rapper Phil.

2. Ama Unaonaje ft Ach13ng (3:26)
This brings out the love side as he tries to win the heart of this lady whom he admires much but the lady feels he is just a 'player'.

3. Niko Juu (3:17)
Monaja raps about how he has steadily grown in this industry and is looking forward to a better future.

4. We Tu Tembea (3:35)
Quite a motivational track in which Monaja raps about the need to fight on no matter the challenges that we may face in life.

5. Mziki ya Raiya ft Checkmate Mido and Man Njoro (4:14)
A fun track for everyone to enjoy especially with the characteristic humor filled bars of Man Njoro and a good job done by Monaja and the multi talented Checkmate Mido.

6. Blessed ft Mwafreeka and DMT (3:35)
Monaja incorporates Mwafreeka on this track. He does a number of sampling of speeches including from Martin Luther King to get the track in line with the message being passed across

7. Run (2:21)
Talks of how music has been of great benefit to his life.

8. Kishaipoiteza (2:58)
We get a story of how life was for Monaja as he grew up and presents to us his childhood experiences. This track samples Janet Jackson's 'Got till its Gone' song.

9. Monaja (3:22)
He promises to deliver to his fans the best while asking them for their loyalty in return.

10. Mara Ingine (1:59)
He shows some love to some of the biggest acts on the kenyan hiphop industry including the late Gwiji, as part of his inspiration in this industry.

11. Flow (3:09)
Monaja comes out hardcore to display his prowess in this art.

12. Klub Kwetu (4:02)
He raps about partying and having fun at home rather than going out clubbing. Sometimes things can be hard but that does not mean we stop having fun at such times.

13. Nchi Yetu (5:18)
He takes a political tone on this track. He narrates various political events that have taken place in kenya through the different regimes right from the first president Mzee Jomo Kenyatta



Overally, its a good job from Monaja and i cant wait for his album to be out. His flow and sound kinda reminds me of Chiwawa, they somehow resemble. Purchase a copy for yourself and i assure you you'll feel the worth of the money you have spent.

Tuesday 8 November 2016

NEW VIDEO: Khaligraph and Cashy - Micasa Sucasa


After giving us a teaser of their latest project, Kenyan hiphop heavyweight Khaligraph Jones teaming up with Cashy have finally officially released their new music video for the track titled 'Micasa Sucasa'(spanish for 'my house is your house') courtesy of Top Notch Films and Big Beats Afriq studios.
This is a rendition of the 1990's hit by Mobb Deep known as 'Hell on Earth' and its a definate chart-topper.
You can watch the video on Youtube.




Friday 4 November 2016

Oksyde - Niko True EP


Freimann Mukanga Joe is his official name but on stage we know him as Oksyde or 'the number one chief rocker' as he identifies himself. He has been in the hiphop scene for atleast 6 years now and hails from the hood known as Kangemi on the Western side of Nairobi City which he attributes to be among his inspirations in his music as he passes a message of his experiences of what happens around him through his bars and verses.
He started out rapping by taking part in freestyle battles in the famous Florida 2000 club and at one time was crowned the champion. So far he has a number of complete projects which include two mixtapes; Thee Emcee and Undisputed-Headz, together with a pre-album titled 'King Kong'. He has worked with several artistes including Khaligraph Jones, Kimya, Ace tha Don and Dandan1.



On 3rd October 2016, Oksyde released his latest project, a 6-track EP titled 'Niko True' which is selling for just kes. 300 and also available on itunes
.
Niko True EP is a must have in the collection of any true Kenyan hiphop fan. Its got everything going from lyricism to some very intelligent rhyme schemes and punchlines. You better come out and grab a copy for yourself while it is still fresh in the market. Here are the tracks available on this EP;

1. All Eyes on Me (3:15)
2. Tell Em We're Ready ft Junior Rebel (3:03)
3. Niko True (3:32)
4. Put Yoh Hands Up ft Bilari, EMC (3:42)
5. Makilo ft Chiwawa (3:35)
6. Stick Up (2:34)

Thursday 3 November 2016

Ace tha Don presents #BARS101


I have previously heard of this artiste from his collaborations with Khaligraph Jones but I must admit I was surprised to actually find out that the name Ace is an acronym which stands for Arsenic Chronic and Explosive. Well, if you didn't know like me, now you know.
The deep-voiced rapper is well known for his skillfully crafted rhymes and punchlines. Under his belt, he has churned out several mixtapes including 12-track 'Birth of the Best', 10-track 'Underrated' in addition to several tracks and collaborations.
He recently dropped a 10-track mixtape going by the title '#BARS101' where he shows us his lyrical prowess. At the moment, several tracks from this mixtape are doing quite well including Letter to the President, Pound 4 Pound and Night Life. The video for Night Life was recently launched at Club Tribeka and its available on Youtube. Below is a list of the tracks on this mixtape which you can listen to on Soundcloud.



1. Intro - (0:44)
2. 125 - (3:43) produced by Odie
3. Success ft Meryl Paige - (4:45) produced by Odie
4. Night Life ft Shukid and Sydney - (3:13)
5. Light Work - (3:44) produced by Kevin Grands
6. Interlude - (2:01)
7. Pound 4 Pound - (3:58) produced by Odie
8. Letter to the President ft Kevin Grands - (4:05) produced by Kevin Grands
9. Born Winner ft Shukid- (3:47)
10. Outro - (1:36)

This must be what the future of Kenyan hiphop is about.

Friday 21 October 2016

King Kaka's New Music Video


Off "It's the King" mixtape, comes the track Thug Love by King Kaka which features Yviona. This track tells of a story of a couple in which the lady is at home feeling lonely and abandoned not able to understand that the man is out there trying to make ends meet so as to provide for them.



King Kaka just released a video to this track which has become an instant hit. So don't be left behind, visit Youtube to watch this captivating video.

Friday 5 August 2016

King: The Mixtape - Rabbit


Rabbit (Kennedy Ombima) is now a household name in the hiphop industry in Kenya and across the continent. Back in February 2011, he released 'King: The Mixtape' when it became apparent that he was destined for the top in this game. This was after he had a number of chart topping tracks such as 'Mtu Hivi Hivi','Kwa Jam Nakam' and 'Staki Kukuona'. I managed to come across this mixtape and i must say Rabbit did a splendid job on this one. Below is my take on the various tracks that can be found on this mixtape and why i feel he is indeed 'king'.



1. Intro (2:26)
Rabbit introduces us to this mixtape with a poetic piece presented as a spoken word in which he rhymes about his journey to get into the music industry. He displays his poetic side in this piece, being one of his other artistic talent. A great intro to set the mood right for what he has to offer in the latter stages of the mixtape.

2. Hatari (3:05)
"Mi ndio king wa Nairobi", thats the declaration Rabbit makes on this track as he steps out through this hobby of his to prove to the world why he says so. Usher's 'Hot Tottie' provides the beats to this track.

3. Simba ft Jorma of Lonely Island (1:52)
Rabbit may have been the new kid on block back then but he came out to show his fans that he is able to attract collaborations with other artistes from around the world. Great collabo it is with the multi talented Jorma Taccone of the Lonely Island from New York.

4. Mungu Niaje (2:56)
This track is basically set as a prayer and he takes this opportunity to thank God for his life, talent and all the blessings which he has received from Him. Rabbit also remembers to ask for forgiveness for all the times he has gone wrong. The chorus for this track borrows from the first four lines of the Lord's Prayer. Great beats to this track picked from 'Kiss my Ass' by Jadakiss, but quite an irony considering the message given out by Rabbit on his track.

5. Successful (3:43)
We all want success in our lives as much as there are challenges that do come our way as well as new problems coming with success. In light of these, Rabbit raps about how he has to tread carefully and cautiously in his pursuit for success. Drake's track 'Successful' provides the beats and chorus for this song.

6. Soko ft Oddinary (3:20)
The sequencing of the bars between the two artistes in an alternating manner after every couple of bars is quite fascinatting. On this track these artistes rap about the everyday happenings in the music industry mostly on the hiphop side and how they have come to conquer the market.

7. Ufalme (2:15)
Rabbit comes out to show the world why he considers himself as 'King', which as he explains is through his diversity as a poet, musician and storyteller.

8. Tumaini ft Karolle (4:12)
This track encourages us to never give up but follow our dreams. It also gives us hope of success and the ability to overcome problems. A very positive message is brought out on this track by Rabbit and the great vocals of Karolle on the chorus makes it more appealing to listen to.

9. Ni Vipi ft Jinx and Fant (4:27)
A dancehall feel is brought out on this track which is quite an entertaining collaboration and can easily pass as a party anthem. The artistes rap about the fun side of doing music with quite some good use of witty rhymes, wordplay and metaphors that make the track an interesting listen.

10. Wewe ni Special (3:16)
This is a track for the ladys in which Rabbit raps about how special the lady is to him, with lots of compliments to the woman whom he seems to be in love with. A good break it is from the previous hard hitting tracks. This track was produced over the beats of "Special" by Musiq Soulchild.

11. Mtu Hivi Hivi (3:57)
From the whole mixtape this must be the most popular track as it played on major radio stations and its video shown on almost all music tv show. It was a big hit back then and i guess no much analysis can be given on this one. All i can say, this was a a good one that helped bring out Rabbit more into the limelight of this industry.

12. Skit (Koshi) (3:06)
Rabbit meets a friend on the streets and they start chatting about one of his close friends and big fan whom they call Koshi. He narrates a story of how Koshi was to catch a rat that would be used in the making of the "Mtu Hivi Hivi" video. It is very hilarious.

13. Kam na Kunaenda ft Oddinary (3:31)
These artistes rap about how they have come into the scene and want to take over the industry by storm. They talk of how low quality stuff has flooded the industry and state that they are here to change all that.

14. Mtaani (1:43)
Rabbit tells us about life in the ghetto and how it is a struggle for those living in such places but despite such challenges and hardships, he brings out a message of hope that one day things will be okay. The beats of Ace Hood's "Guns High" came in handy in the making of this track.

15. Always made it (2:05)
Rabbit takes time to thank God for enabling him accomplish so much that he has always wanted to do in his life and also tells us about how he plans to achieve his future dreams. The track is done over the beat of a track with a similar title by Camron featuring Vado.

16. Ugonjwa ft Oddinary (2:30)
Most rappers like to show off how good they are in what they do and this was an opportunity presented to Rabbit and Oddinary to do exactly that. The beats used on this track are from the song "I'm Ill" by Red Cafe featuring Fabolous. The mixtape signs out on that note with Rabbit getting to blow his own trumpet and he does it undoubtedly well.

Overally, my favorite tracks include Tumaini, Mungu Niaje and Successful. Keep it up King Kaka, you did a good job on this one and i would recomend it to anyone who loves good music. Its a mixtape that you can play over and over again without getting bored.

Sunday 5 June 2016

Abbas - Angabanga (2014)



One of my favourite kenyan MC has been Abbas. His prowess in freestyling and cyphers has always left me in awe. Abbas Kubaff aka Doobeez released his first solo album titled 'Angabanga' on 16th April 2014 and this was an opportunity to show the world what he has to offer musically as an individual which i believe he managed to achieve. Below is a list of tracks available in this album. There are also a couple of skits included.

1. Intro (0:45)
2. Angabanga (2:58)
3. Mo Faya ft CLD (4:15)
4. Tikakinyaku Remix ft Johny Vigeti and Ibra da Hastla (3:47)
5. Boom Boom Boom (4:04)
6. Doobeez Did ft Kantai,CLD and Bamboo (3:38)
7. Kerea (3:21)
8. Fresh ft Kimya (3:27)
9. 2050 ft Maleek and Chiwawa (5:12)
10. Dunia ina Mambo (4:32)
11. Baadae ft Chiwawa (3:41)
12. Monkey Music (3:43)
13. Crossfire (3:11)
14. Kamasutra (3:30)
15. Bizzy (2:59)
16. Siasa ft Johny B and Kitusewer (5:29)
17. The Love ft Kaz (4:13)



Among the producers who worked on this album is Hiram on tracks like Mo Faya and Monkey Music. Abbas offers us his usual word play and inteligent complex rhyming pattern that he is known for. The usual incorporation of Sheng even makes it more appealing as most Kenyans are able to easily relate to the content of his tracks.
It also brings out the ability of Abbas to work with diverse musicians and be able to make great music. Worth noting also on one of his tracks is his use of the kenyan classic song Dunia ina Mambo by the Cavaliers Band, mostly remembered as the theme song of the 1990's tv series known as 'Tahamaki' which aired on KBC tv.
My best track in the album, i'll go with 'Doobeez Did'
The album is available on-iTunes